Tonight marks the opening of a double-header art exhibition featuring the insanely detailed drawings of Laurie Lipton and the unusual and creepy hybrid sculpts of Jessica Joslin at La Luz de Jesus Gallery in East Hollwood  / Los Feliz, CA. The show remains up until November 28.

“Motoring” – Charcoal and graphite on paper, framed  39.5″ x 29.25″

“This show was inspired by the Steampunk movement that is sweeping Britain. Instead of steam, however, my devices are mostly run by electricity and madness. I was vacuuming one day and noticed the amount of plugs and cables on the floor… a veritable wasp’s nest of wires and sockets connecting a hoard of gadgets and doo-dads intertwining around the house and my life. I was trapped like a fly in an electrical web. What had happened? Were these things making my life easier or more complex? I began with The Steam Punk Pocket Watch, an absurd idea of a time piece too huge & complex for anyone’s pocket, and went whirling on from there. These machines are designed to hinder, control and/or give the illusion of technology. I had a tremendous amount of fun creating the images and think that this show will touch anyone who has ever become entwined, up to the eyebrows, in the Technological Age.” – Laurie Lipton

Inspired by the religious paintings of the Flemish School, Lipton tried to teach herself how to paint in the style of the 16th century Dutch Masters and failed. When traveling around Europe as a student, she began developing her very own peculiar drawing technique building up tone with thousands of fine cross-hatching lines like an egg tempera painting. “It’s an insane way to draw”, she says, “but the resulting detail and luminosity is worth the amount of effort. My drawings take longer to create than a painting of equal size and detail.”

“Illusion of Control Tower” Charcoal and graphite on paper, framed, 59″ x 21.75″

“Stardust”

Jessica Joslin’s “Hybrids” is a circus of oddities, a mixed-media menagerie of unexpected creatures. A whimsical cat in a red leather harness harness pulls his polycephalic partner along on a wooden cart, blue and brown eyes gleaming mischievously. An exquisite two headed tropical bird with lush brass plumage preens on it’s perch. A troupe of monkey-cat hybrids engage in mysterious shenanigans, and truncated half-creatures preside over the festivities.

The creatures that populate Joslin’s world are intricate fusions of bone, brass, antique hardware and other bits and bobs. Sparkling glass eyes are inset in kid leather, giving these fanciful hybrids the illusion of life and animation. They seem ready to spring up and play, just as soon as no one is watching. In her work, Joslin celebrates wit, whimsy, ingenuity, insightful curiosity and skill. The finely wrought craftsmanship renders the hand of the maker at once visible (the miniature bolts, springs and joints which comprise anatomical structures are readily discerned) and invisible (there is a keen sense of their unique personalities, and as such, the illusion that they are not constructions, but rather living beings.)

“Clio and Loci”

Joslin grew up collecting flies off the windowsill to look at under her microscope. Ever since, she has been enchanted with collecting a magpie’s array of remnants from the natural world. The collection gradually grew to include obsolete bits of antique mechanical mechanisms, hardware and other oddball artifacts. In 1992, she began building the first beasts of this menagerie, using objects sent in a care package from her father, the same pieces that she’d collected as a child.

To preview all show images, click here